Although Ismat Chugtai's Lihaaf is often cited as a beacon of queer indian literature in the early
20th century, a close scrutiny of its sub-texts and narrative shows how this attribute may not be
entirely suitable to its premise. Several instances and inter-personal relationships, created by
Chugtai, demonize queerness as exploitative, undesireable, and ugly. It's image, as a work
endorsing queer relationships, seems to originate from the clever characterisation of the queer
persons by Chugtai, and this technique is also evident in Devdutt Patnaik's recent work of short
stories titled Shikandi.
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